Monthly Archives: August 2007

I broke my arm.

Written by Michael Clinard. 2 Comments.

Last night I broke my arm. Well, actually Mike broke his arm and now I’m sitting next to him coaxing the words out him. Mike wants to pull out his encyclopedia of literary terms to define what it is we’re doing right now, double narration? Anyhow…the story.

Ummm, long story short (yeah right) I went in to pitch in the bottom of the sixth inning as the PSSBL only allows its pitchers to pitch a maximum of five innings per game and Chris Park, our veteran ace, had just completed his tour of duty on the mound (see, how short this is becoming?). I retired the side in the sixth with ease, no one reached base, no walks, three up three down, I believe. Bottom of the seventh, I go in, I throw my first warm-up pitch, make an “aaaah” sound that’s only audible to myself and the catcher, Andrew Rafferty.

He shouts out, “Are you good?” I say, “Yeah, I’ll be good.” After his throw down to second, he approaches the mound and says, “Are you sure you’re good to go kid? It’s only one game. Don’t hurt yourself for one game.” I say, “No, I’m fine. I wanna do this.”

Things get a little gray, but I believe I strike out the first batter, then someone gets a hit. I walk one, and that’s about as much as I remember before I get two strikes up with no balls on one of the batters. I believe Andy called a fast ball and I was thinking the same thing he was, a high fast ball out of the zone. I reach back and with all I had I deliver the pitch.

I go into my motion, my body goes forward and my arm stays behind and immediately I hear a snap. Everything goes white and I topple like a ton of bricks. I’m writhing on the ground making all sorts of deep guttural moans and yelps. As I twist on the ground, I see my forearm in what appeared to be the distance. My first instinct is to grab it and bring it close and I do so and quickly immobilize my once muscular arm which now seems to resemble a door snake, only this one is 30 pounds of dead weight.

About 20 faces descend, two questions for each face. Puppy dog eyes in a few. Genuine looks of despair, worry. Horror. My legs are elevated. Ice is brought. Minutes later an ambulance in the distance. Quickly enough the parameds, with help from my teammates, support my back as I stand up. The crowd, opposing team and spectators clap as I make my way to the ambulance where they fashion a sling for the ride to the ER.

At this point Mike is distracted by his pain, so I’m afraid he’s not a reliable narrator. I arrived at the ER to find Mike being prodded and questioned, eyes downcast in pain and concentration. When the doc left us alone in the room, he told me he was going to “tough it out” sans modern chemistry. It didn’t take much to convince him to accept a morphine drip and the doc immediately got him started. That took the edge off things, but only slightly masked the pain.

Last night was the last time Mike will ever pitch, and his last game of the season. It will also put a dent in his photography business. But he will be busy nonetheless, stitching together the humerus bone that the fast pitch had cleanly and efficiently snapped apart:

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The nurses splinted him with fiberglass and ace bandages to allow for some swelling, then he goes back in a week for a plaster cast. Surgery is an option if his bone doesn’t take to healing. If all goes as expected, it should heal within 4-6 weeks.

Those ER nurses are tough cookies. A Friday night must keep them busy, but having to set Mike’s 30 pound arm while he was conscious was quite an exercise. Hats off to them!

I drove slowly and gently to Walgreen’s for Mike’s pain killers, ibuprofen, Gatorade and Chili Cheese Fritos. Then we hit Jack in the Box for a cheeseburger, probably not what the doctor ordered, but I almost never argue with Michael’s stomach. By the time Michael was settled into his couch, it was 3 am. And here is Michael today, he wants all his people to know he is fine and will carry on as usual. As for me, I’m going to take a nap.

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The Lawnmower Man

Written by Michael Clinard. 1 Comment.

This afternoon, I mowed my next door neighbor’s yard. Kerani is super nice, talkative and hospitable. She is kind enough to sign for my packages/parcels when I’m away. I uploaded some photos from the day’s festivities. Enjoy!

I wanted to use a little flash-embedded gallery you can get from a site called Pictobrowser. Initially, I’d changed the code a bit so that it would fit into my blog, but while I could get the embedded object’s width/height to fit nicely, I was getting some clipping on my horizontal images. That said, I’ve just included the gallery below until I can get that squared away. You can view the set on Flickr here, if you’d like.

The Heavy Petting Magic which is my Right Hand.

Written by Michael Clinard. No comments.

My new point and shoot camera, the Canon SD850 IS has arrived. Wanted to use it last night, but didn’t want to waste shutter actuations on pics of white walls, ceilings or your typical ‘I got a new camera, let me take a pic of me taking a pic with the new camera in my bathroom mirror and use the built-in flash.’

I wanted the first thing this camera viewed to be placating imagery equivalent to puppy dogs or ice cream cones. A butterfly landing on tip of the nose of the most adorable baby.

So, this morning, I got up and took some photos in my landlord’s garden. Here it is, the first image captured.

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Yep, that’s it. Wasn’t paying attention and let the flash go off. But I wanted to be true to the exercise and show the very first image. Then, here are a couple more of the neighborhood cats.
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Few know this, but I’ve always had the ability to drive cats wild when petting them. They–domesticated and feral cats alike–come from far and wide to experience the magic that drips from my fingertips. In a couple of instances, I’ve laid in bed and listened to an orchestra of cats outside my window meowing it up; beckoning and calling out to me “to come out to plaaayyy. . .”

It usually goes like this: the cat scoots close to me. A couple gentle pets around the face, couple down the back and they are comfortable. I then pet around the area where the tail meets the back. Within minutes they’re writhing on the ground, gnawing on their tails and/or paws, licking cement, carpets or whatever surface they happen to be laying upon. Its true, and perhaps somewhat uncomfortable to watch as these cats go into the most utterly ecstatic experience you’ve ever seen.

I don’t know, there may be some niche market out there that I could corner with this. www.intense-cat-petting.com? It doesn’t exist yet. . . I checked.

Remembered. . .

Written by Michael Clinard. No comments.

My mention of Lawrence Fritts helped jog the memory of a drive Jenna and I were taking up Beacon Hill one night upon our return from a function in the city. As I punched buttons on the radio dial, I came upon a familiar voice on Ira Flatow’s Science Friday on KUOW–the local NPR station here in Seattle.

It was Larry (as he’s affectionately called by those who have the honor of knowning him) speaking upon the passing of Robert Moog earlier that day. Larry is known for gloriously detailed and complex stories, and this interview happened to be no exception. He recounted a loving tale of his own personal interaction with the man, Moog, and how he acquired a knob (or cord, or something) from one of ‘Bob’s’ original Moog machine prototypes.

When prompted to give a summation of Moog’s legacy, I was crossing my fingers that it would all get sandwiched into the last thirty seconds of airtime. I didn’t want to hear him get rushed or cut off by the host for station identification. . . and you know, Larry pulled it off quite gracefully. The host had a good 5 to 7 seconds of interlocutor thanks and pause for Moog’s passing.

That said, thought I’d check into Larry on YouTube and luckily, I found a very interesting art piece I remember seeing from my days as a University of Iowa Graduate Student. Originally observed at the University of Iowa Art Museum, it is a collaboration betwtixt Fritts, the artist Sue Hettmansperger, and mezzo-soprano Katherine Eberle. While its a good representation of how Larry gets down, bear in mind compression–both in video and sound format–take away from just how effectively this piece can resonate in the body and brain.

It should be noted that Larry is known for his work in anechoic chambers, whereby, simply put, the sound of a sound is non-reflected back upon itself. OR, its unaffected by its own self and exists as ‘pure sound’ when interpreted through the ear or recorded by microphone. . . I think?

Blog of Ages. . .

Written by Michael Clinard. No comments.

“What’s up w’me? . . .” Anyone know the hymn the title is inspired by?

Anyway, that’s the title I’ll use to reflect the awe and majesty I experience in the world day in and day out. Just today, while driving around I saw what looked to be the equivalent of a Back to the Future/Mad Max Beyond Thunderdome car. It had stickers covering it, a silver-painted finish and some jet engine thing mounted on the tailfin of what looked like its Ford Falcon outer shell.

My jaw dropped and I was kicking myself for not getting next day delivery on my new point and shoot, the Canon Powershot SD 850 IS. Soon, I’ll keep it strapped to my body, frantically snapping away at all things I find interesting/important and/or capturing video on the 4gb card I snagged along with it.

The superstitious tendencies mentioned in my previous post worked to a degree in a couple more baseball games. All told–in the last three games–I’ve gone 6 for 13 at bat. It didn’t cure my continually aching bicep muscle on my throwing arm which I now have after every game in the field or hurling on the mound. It’s becoming more and more apparent why they call it the Puget Sound SENIOR Baseball League.

I also got hit-by-a-pitch on the top of my foot last game. Tried my hardest to make it look quite spectacular by pulling off some aerobatic flip and rolling on my head, all in one motion to keep the weight off of the sting I felt. At first, no sign of a bruise, but today, I’ve got Fred Flintstone club foot:

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I also got stung by a wasp for the first time in my life a couple weeks back. I was on a shoot, walking around with the photographer scouting our shots. We approach this little greenhouse, and as I’m rounding the corner of tall-standing plants, I feel a very sharp concentrated pain in my wrist. Thought I had brushed up against some prickly vegetation, but within seconds, my wrist was white and there was the most perfect little hole with something pulsing in the middle of it.

In the past, when I’ve dislocated my fingers or toes, I grew light-headed. With the same weary feeling, I pulled the little, pulsing thingamajig out without thinking–very much like the times I’ve reset my fingers or toes when dislocated. The photographer, David Atkinson, of Colorblind Images was like “Oh, cheers. . . we should watch that and make sure you’re not allergic.”

“Drats,” I thought. “Allergic: Never thought of that, never been stung. . . ” I pictured myself dying on the most beautiful plot of land I’ve seen in quite awhile. Owned by Colin-Schroeder-of-Colorblind-Images’ parents, Swans Trails Gardens is located in Snohomish, Washington. As I drove up before the shoot, there was this perfect little church at the top of a hill. With the smell of livestock manure all around me, it reminded me of the South and my buddy’s farm in Kentucky.

Thanks to Alice, I live.

Other news: Sold a load of old cd’s today. In that recycling effort, picked up Marcus Schmickler and Hayden Chisholm’s release entitled “Amazing Daze,” which is quite good in a very niche, electro-acoustic way. Have to thank my old Professor Lawrence Fritts for developing my taste in contemporary electro-acoustic music. ‘Bout it for now.

M