Monthly Archives: May 2009

Ron from Arkansas

Written by Michael Clinard. No comments.

Had the great fortune of photographing Mr. Ron Fulton for my Refugee project. If you’re unfamiliar with it, check out past explorations here and here.

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Met him a few months back after finding myself in a conversation about The South and Jimi Hendrix. We hit it off immediately: he telling me about Arkansas, his time serving in the military and his 40-year-old parrot, Sailor; myself talking about Bama and my quirky, conceptual portrait style.

Since then we’ve been chatting every other week or so about getting together to do a little colab in the studio, and a few days back we finally had an opportunity.

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What a treat to hear Ron move with ease from Hendrix to Skynard to ‘Somewhere over the Rainbow.’ I found myself smiling and kind of zoning out, rapt in his guitar wizardry. This man has got endless amounts of talent, and a damn fine bird to boot!

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On this great Memorial Day, I wanted to get this post up to honor Ron and all the service men and women who serve or have served our country to give us the freedom we enjoy today.

More always,

Mike

The Approximation Parrots

Written by Michael Clinard. No comments.

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Getting things square in the studio today for a shoot tomorrow.

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In sum, part of the gig involves a bird of flight, so–during pre-light–we busted out our best parrot impersonations.

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I don’t know about you guys, but I’m really digging these images. Hope the parrot brings it as hard as we did this afternoon.

Enjoy,

Mike

Screenprinting Party and My New Brand Identity: The Office of Michael Clinard

Written by Michael Clinard. 2 Comments.

Had a little screen printing party at the studio over the weekend.

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Jenna, aka ‘The Boss’ (pictured above), made it happen. She engineered a low-cost, very effective way of making prints from a short list of supplies found at any Value Village, Goodwill or retail store. The list goes a little something like this:

1) Obtain a few frames from said store. These can be picture frames or those wooden frames that pre-stretched canvas comes on. You know, the canvases that you used to paint your high school masterpieces on. . . exactly, the ones that now reside at above-noted Goodwill store.

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2) Find some very sheer curtain tulle that someone has discarded. Probably on the back wall, wedged between the quilts with the stains on them and the Saved by the Bell sweatshirts.

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3) Rolls of Contact Paper. It’s probably the case the ones you find at Value Village are still tacky enough to affix to your tulle, but if concerned, feel free to go out and pick up a new roll.

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Basically, you staple your tulle very taut to your frame as if making a drum. Affix your contact paper with design cut out and you’re good to go. I found a couple nice tutorials on the process here and here that pretty much break things down.

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Above is my contribution. It’s the new brand identity I’ve been bringing into existence with the aid of a fantastic designer in NYC named Tim Lahan. I’m super excited to start the process of spreading the word and getting it out on market.

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That said, keep your eyes peeled for exciting new updates from the Office of Michael Clinard: General Photography.

Always,

Mike

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