Have had a lot on the plate lately: heavy personal commitments, commercial and editorial projects and a recent trip to NYC where some amazing opportunities have come about.
I’ve now got enough content built up to blog over for the next year, so expect new posts very soon.
In the meantime you’ve got to check out this amazing painting I picked up from Kirk Albert (formerly Great Stuff) here in Seattle.
More soon,
Mikey.
. . . among other things with a local rock trio by the name of Happy Birthday Secret Weapon.
Saw the gents play at the Sunset Tavern in Ballard a few months back in support of Levi Fuller’s ‘Ball of Wax’ project and was blown away by their performance.
We got to talking about influences, and two came up: 1) Hella and 2) The F*cking Champs.
The image above had us laughing on account of it’s remarkably sublime homage to the snarky, self-mythologizing album covers the Champs were known for.
With titles such as ‘Nebula Ball Rests in a Fantasy Claw’ and ‘Thor is Like Immortal’ or ‘I am the Album Cover,’ the Champs had a pretty good sense of humor much like the gentlemen of Happy Birthday Secret Weapon.
In addition to our image above, the guys helped me with a triptych concept that I’m still working hard to complete, so that I may get it up on the blog and soon-to-launch website.
In the meantime, you should go out and give their music a listen.
More always,
Mike
This post serves as what I expect to be a multi-installment blog segment regarding the upcoming collateral materials that I’m having done at a local letterpress studio here in Seattle.
That said, I was rang up by my guys to swing by the studio this past Wednesday to see the trademark plate on the press and to get an idea on how our color treatment was interpreting.
Decided to go with Pantone 426U which is about a 90% black to help support the direction I’m going toward on the website and other supporting collateral materials. When our color choice interpreted a little differently on our ‘thick-as-a-brick’ Cranes Lettra 220lb. stock, I wasn’t surprised.
In addition to the color issues, we’d developed some ghosting around the trademark, so we decided to turn the plate in an attempt to reduce this effect.
After getting that bad boy turned 90 degrees and getting it back on the presses, we inked up the rollers, and BAM! We achieved our desired result: nicely punched, boldly printed head trademarks that will serve as the foundation for the beautifully designed business card that I can’t wait to showcase.
You’ll have to stay tuned for further updates as we continue hammering things out. Some point soon, I suspect I’ll have a sneak peek of the completed business card and those other pieces of collateral. Outside of this, continue tuning in for exciting new updates regarding the website and current projects I’m tackling.
More always,
Mike
When I hear so Mike, are you ever going to blog again, in my buddy Bill’s upper Michigan accent, then I know I’ve been neglecting my duties at the International Outpost for Consistent and Sustainable Blog Entry. Or there could have been the subtle cue, when on my Facebook page, I recently got this message from a ‘friend’* regarding my lack of posts. It went something like this:
‘Hey Man, what with not posting to your blog in over a month and a half. . . I beseech you. . . Kindly, ‘Friend.”
On the serious tip, I’ve been quite busy, and that’s a very good thing. But it sure doesn’t mean that the Office of Michael Clinard, General Photography Train hasn’t left the station. In fact, it’s well on it’s way to making it’s final stop. If it were a ship: coming to port. A loaf of bread: baked. Humans: evolved. . .
So what’s new: I’ve been flexing the creative membrane. In fact just this week, I jumped into the studio with Amanda Johnson to hammer out some ideas: One concept is still being finessed, but I finally did get around to shooting that glass of water that’s been sitting around for a couple of months.
Outside of this, there’s the website which is ever-so close to completion that I can hardly wait. Of course, I still need to get a host of images sized/res’ed to spec and up on the servers. In fact, was up until 5am pulling images in anticipation, but I thought I’d give you a taste of the home page, oh loyal readership.
Here’s a look at an individual image as seen through one of the galleries, in this case: Portraiture.
There are other exciting features that will soon be live. When the site launches, I’ll be sure to make a note of it here on ye olde blog. Then, when you catch a moment, you’ll have to visit, give it a looksy and tell me what you think.
In other news, I’ve created my first new video piece in over four years. What with all the updates today–and as a thank you to my readership–I cut this together in celebration of the Brand Identity and to mark what feels like coming out of a near four year hibernation.
Interesting’er from Michael Clinard on Vimeo.
I could tell you what’s going on here, but it’d ruin the ambiguity.
Feeling very cicada-like,
Mike
*that ‘friend,’ I’m speaking of is one, Lucien Knuteson. You’ll have to go and check out his new blog when you’ve had all you can handle here.
It’s being reported that some of my images are featured on the Behance Network!
I got an email a couple hours back saying that the editorial team selected my project from the several hundred that folks post everyday. Pretty neat being that a couple days ago I decided to pull some images together that I’ve shot over the last year or so in anticipation for the new site that’s being developed. Figured I’d give folks a preview of some of the visuals to expect, and here it goes getting some neat attention!
I suspect that project will drop from the front pages after a week or so, but in the meantime, feel free to visit the gallery and let me know what you think. Hope you enjoy looking at them as I had a great time creating them. Big shout of thanks to all the nice folks that sat for me!
More soon,
Mike
Hi all,
It’s been a busy month for me: the website look is finally being hashed out and collateral material printing for the Office of Michael Clinard, General Photography is gearing up.
Outside of the recent happenings, I found some time to steal away and edit through the 1600 or so photos from the recent trip to Ecuador. I’ve gone ahead and put them up on Picasa here.
When you arrive, I encourage you to click the slideshow option to see them larger; from there, you can pause it to click through at your own pace or turn off the captions if you’d prefer.
Above is an image shot inside the monument La Virgin del Panecillo which overlooks Quito–Ecuador’s capital. It’s a large monument of the Virgin Mary constructed of large steel plates, each one welded and screwed together as seen above.
When I finally stopped to appreciate it’s inner construction, I found myself standing in front of plate 79. Specifically important to me given that it was the year of my birth: 1979.
More soon,
Mike
That’s right. We’re moving the furniture around over at The Office of Michael Clinard website.
For the next few weeks, the website will be offline. In the meantime, I’ll do my best to update the blog with images from the Ecuador sojourn along with a host of exciting new projects I’ve been undertaking.
If you need to get ahold of me, don’t hesitate to do so.
More always,
Mike
I’m slowly adjusting to life back in the states after getting back last weekend from Ecuador.
Above and below are a couple of the many notes I wrote to myself as reminders on the days leading up to our Exodus from the Emerald City.
The more I think about the ‘Dor, I always find myself humming Palace Brothers’ ‘West Palm Beach’ track. Oh, sigh. . .
Anyhow, while looking through the images from the sojourn, I remembered I’d shot this interesting chap named Dan who goes under the moniker of MC Virus here in Seattle.
A super nice guy, his beats are unlike anything I’ve heard before. He played me a few tracks from an upcoming album he’s releasing on the label called Rarefied Heir. Go check him out!
In other news, I had a few of the upcoming promo pieces accepted onto Heather Morton’s Art Buyer Blog. Check it out here (scroll down to #4).
More always,
Mike
I’m back from Ecuador after almost two weeks in that gorgeous country. It is so incredibly rich: cities, mountains, jungle and a beautiful coast!
Over the next few weeks, I’ll be posting pictures, stories and reflections to ye’ olde blog. For now, I present a couple pieces of art from my 100% adorable, 6 year old cousin, Paola.
Literally everything she did was cute, and I found myself just smiling every time she was around. Paola made these for us on the night of our departure, and they read something equivalent to Mike + Jenna = Paola.
So now you want to see her, right? Alright, I just can’t resist. . . here she is enjoying Parque Historico seven feet off the ground with Jenna.
More always,
Mike
Goodbye 2011. Destroy 2012.
The video embedded above (if you can’t see it click here) is a pretty good substitute to the title of this post. My “cinematographer” wife and I apparently didn’t quite see eye-to-eye on how best to film the 15 second sequence, so let me help: it’s our former christmas tree plummeting to Earth from three stories up.
I was hoping for it to have made this impressive ‘whooshboom,’ but instead it just kind of went ‘theewphoofh.’ Pretty much the decibel level of a butterfly farting.
Anyways, the results were completely unexpected and not at all like I’d hoped for. In fact, it turned out so much better — kind of like 2011 — which was a beast of a year for me with a ton of life achievements, work goals met and shooting dreams reached.
Among the high points, our now 16 week-old baby girl named Tala Mae, celebrating one year of marriage to Jenna (who’s b’day is today), a slew of editorial and commercial projects AND the honor of receiving a PDN 30 2012 New and Emerging Photographers nomination (last year’s list)!
While I feel like I’ve made a fair amount of headway on things, there’s still so much more one can do. I’m incredibly dedicated to pushing forward since I absolutely love this industry and have a passion for getting my work in front of folks that can appreciate it.
So consider this a warning: I’m coming for you 2012. . .
EPILOGUE
One of my best friends, Dhanraj Emanuel, gave me a little perspective not too long ago as I was worrying about all the logistical challenges of an upcoming job.
He said, “Mike, are you having fun right now?” I said, “well no, I’m anxious as all hell for next week.”
He replied, “Miiike (he’s East Indian), come on maaan?! Shooting is fun. You need to stop worrying. You always over think. Just go and have fun. . . you know how to do all this stuff. You’ve been doing it for years; just go do it!”
Needless to say, I always have fun when I’m shooting. Too much sometimes and have to watch the jokes I tell. . . I do run lighting scenarios and what-if’s over and over in my head to the point where I light the job in my dreams! I guess the point here is to remember why I do what I do.
It’s the act. It’s the imagery. Trust your gut and react to what you can at the moment it pops up. Stay hungry and push yourself vision-wise. Think about that stuff and everything works itself out.
Regardless, I love what I got down in San Francisco on that gig and think it was in large part because I just kind of mantra’d out to “go with the flow dude, just go with the flow. You got this.”
Really can’t wait to see those images drop and share them as it signifies a different, more broad approach for the direction of my work in 2012. And super big bonus: had an amazing sitdown meeting over my portfolios at the offices of Wired Magazine!
Isn’t it an Oprah-Universe-Provides kind of thing that if I write “shoot job or three for Wired Magazine this year in 2012″ then it’ll happen. . . okay, hope so!
More always,
Clinard