Category Archives: Photographers

Evolution of a Haircut

Written by Michael Clinard. 1 Comment.

No secret: I’ve been going bald since high school.

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That said, I’ve always had a vision that my ideal haircut would incorporate this particular handicap into my favor. The vision is straight out of Mad Max, and if memory serves, I believe Tina Turner had this kind of doo in Thunderdome.

haircut_2

Below you’ll find the more refined manifestation of my vision. I lived with it for a matter of hours (with newly cropped facial hair design) but alas, I gave it up with the foresight to know that a place like Athens, Alabama isn’t ready for such a revolutionary utterance in hair sculpture.

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Coming Uppances from Clinard

Written by Michael Clinard. 1 Comment.

jackson_of_olympia_web

What was that you say? Coming Uppances? Are those even words?

Here on the Blog of Michael Clinard they are, and its my way of saying that I’ve got some big things on the horizon. Besides heading home for the holy days, seeing the family and tackling some portrait subjects down there in the Southland, I’m doing a conceptual Paul-Prudhomme-meet-E-40-in-the-kitchen photoshoot sometime in December (shout to my boy Fridge: big ups kid). Stay tuned for that.

The shot above is one from today and of my man ‘Jackson of Olympia.’ I say it like this as I was out at the Emerald City Gamefest photographing the enthusiastic attendees. Tonight as I review the film, I’m super excited by what I’m seeing. Many thanks to all who participated. I’ll soon have a bigger blog post about that in the coming days.

More always,

Mike

El Lay, The Unending Battle over Arm Rests and My Fifteen Minutes of Fame on the Cutting Room Floor

Written by Michael Clinard. No comments.

excerpt from Pumphrey Brothers show on G4 “Human Wrecking Balls” Photoshoot in LA from Michael Clinard on Vimeo.

Some time ago, on a flight back from LA with Keatley after working on the project above, I found myself wedged between Large Important Guy 1 and Large Well-Dressed Gent 6. Because I was the slimmer of the two, was one of the last to board and found myself sitting in the middle seat of our row, I was left without arm rest space.

When it comes to this unspoken bit of territory, the tension is quite palapable. Its the proverbial elephant in the room next to a patchouli wearing guy/gal that’s about to go backpacking through Europe, and he/she is taking your connecting flight to beef up on some zzz’s all the while digging youthful knees into the back of your seat.

Better still, I might liken it to the anxiety one feels when out with a few friends and there are 2 of the 6 best hors d’oeuvres you’ve ever had left on the plate, and you know you’ve already eaten you’re mathematical portion.

I’m pretty non-confrontational, so living in Seattle over the last few years has really honed my passive-aggressive skills to a precision point. That said, in the battle over arm rest rank, I make a strategic seat-back position maneuver to full reclined position as soon as the jet takes off from the runway. This tactic is guaranteed to yield another four inches to any standard arm rest on any arm rest opponent.

Its proven time and again that from this post, you can then take your opponents’ rank incrementally through subtle and well-calculated strategic movements and shifts when he/she goes to take a sip of water or turns the page of their reading material.

Me about to make my Big Debut on Little People Big World Holiday Special on TLC from Michael Clinard on Vimeo.

On another note, the video above is minutes prior to my big debut on Little People Big World. Long story short, I was there to lend location assistance/lighting support again to Mr. Keatley, but there was another photographer there: an Olan Mills portrait photographer to document the 30 odd family members in attendance.

With the filming and production schedule to keep, on top of the fact that these people were genuinely looking to eat dinner, we were all a little pressed for time. The producer informs me that I’m just going to go in and start setting up lights and it might seem that I’m the local Olan Mills photographer’s assistant. Which I expressed would be fine, provided I wouldn’t be cast in some strange completely-out-of-context light whereby a strobe might misfire, the Olan Mills lady would get snappy and then it’d be some extreme close-up on my face with a boing’ing spring sound effect.

Xavier from Florida

Written by Michael Clinard. 1 Comment.

This is Xavier from Florida.

Had the great pleasure of photographing him for the personal project I’ve been working on about folks from the South living in Seattle. Caught him just as he was about to move out of town for the sunnier (yet arid) locales of in and around the Phoenix, AZ area.

As the post notes, he grew up in Florida, and on top of being a French linguist/translator, he’s a damn good martial artist. Threw this gem out as we were wrapping the shot.

Its some kind of flying-crane-fist or something. Regardless, it looks painful if one happens to be on the wrong side of it. Thanks again, X, but I should also thank Jenna for helping me out.

She was indispensable as prop stylist, ‘going in’ whenever le’ croissant gave us gravitational and wind issues. I’ll have more projects up soon, so stay tuned.

More always,

Mike

Zombie Portraits from Revenant Film Festival 2008 @ MOHAI, Seattle

Written by Michael Clinard. 3 Comments.

For the longest time, I’ve had this idea that has yet to be realized involving monsters and the undead (zombies and vampires). In early September, I got a hankering to explore at least the zombie side of it a little deeper and decided to look into the yearly Zombie Walk that takes place in Seattle.

Last year, I happened to be driving through during its stop in Fremont, and its completely unreal to witness. All these folks, shuffling along. Hard to explain, but simply put its unsettling. Decided to track down the organizer of this madness and found none other than Cleo Zombie:

Cleo Zombie Dragging Cherie, Victim into Frame

Cleo Zombie Dragging Cherie, Victim into Frame

She is the raddest of undead chicks I’ve ever had the pleasure to meet. I’d explained that I was looking to photograph some zombie-attired folks, and rather than trying to stage portraits outside during the Zombie Walk in West Seattle on October 26th, she put me in touch with Mr. Geoff Bough of Revenant Magazine and Revenant Film Fest. He and his business partners gave me the go ahead to establish a small photo area and during the night’s festivities, we did some portraits.

Cleo had this great idea to ‘bite’ some folks, they’d become infected (whereby she’d apply a bit of the ole’ zombie makeup treatment) and then infect another and so on, and so on.

I was game to see where it went, and we got as far this gent. This image is about two seconds before Rob (pictured above) witnessed first-hand the raw power of a zombie’s blood lust for fresh human brains.

This guy was great, as was everyone who allowed me to document their attire/makeup as well as their downright love for everything undead and zombie.

Little known fact, but captured here for the first time in recorded history: after 5 or 6 hours of zombie-film, even zombies need a pick me up that bloody brains just can’t satisfy.

The Location Stylings of Monsieur Julian Dufort

Written by Michael Clinard. No comments.

Had the great pleasure of assisting Canadian-born/Annie Liebowitz-bred NY-based Photographer Julian Dufort this weekend over in Index, Washington. Its right between Bibliography and Colophon. . . a pretty good ways up the road from Foreword.

Never really knew it existed outside a book until today. That or the fact Julian still had a small cache of Polaroid in his arsenal.

**Quick note**
If and when you find yourself out there, be prepared for a) local seers on bicycles peddling half-truths about bull elk making the most majestic of photos; b) staff wielding wizards in wide-open fields with shepherd dogs in tow and this old ping pong ball he holds up every ten seconds or so as if its some kind of smoke grenade or magic orb; and c) machete-wielding, Busch-light drinking martial law keepers making their way on muddy side roads. . . no joke.

More always,
Mike

Big Al’s Full-Stop Aperture Priority Shop

Written by Michael Clinard. No comments.

This is Big Al: esteemed Seattle photographer by day, over-40′s league soccer player by night.

Alex Hayden

Alex Hayden

Don’t let his boyish good looks fool you, his lighting techniques are up there with God’s work on the fourth day. And that modern-day Farrah he’s rocking is not to be messed with. I was too close to him once, perhaps less than six inches from his left shoulder, as he executed his trademarked ‘flip’, and his locks nearly took my head off.

Big Al reflecting on his life and times

Big Al reflecting on his life and times

In reference to his wispy locks, Hayden notes, “I had to cut them back. I’m rocking a tamer ‘business in the front, party in the back’ aesthetic.” When pressed further, he suggests he’s more approachable now.

“I guess I didn’t want to just be known as ‘the-photographer-with-a-great-head-of-hair.’ I mean, its always been about the images and the play of light and shadow. . . this just helps us all focus on that now,’ he muses while tapping out the beat to a popular Clash song with his bubble level, a necessity on many of Hayden’s productions.

A Master at Rest.

A Master at Rest

Keep your eyes peeled for his upcoming interview in Professional Photographer Magazine where he reveals a great number of his lighting secrets along with business tips and insider knowledge culled from his over 20 year commercial photography career.

Ich Habe Austrians (schnitt zwei)

Written by Michael Clinard. No comments.

I don’t remember all that much from my year in German class. What I do remember is amidst the haze which was my junior and senior years, industrial music was high on my radar. In fact, the only German that stuck with me was Schnitt Acht. . . they ‘habe angst’ in this one.

Ich Habe Austrians

Written by Michael Clinard. No comments.

1/2 of these guys are in town: stellar work these guys do. More science/magic than anything.

The Oiled-up Hot Model Supporting Role of a Lifetime

Written by Michael Clinard. No comments.

A little over a month ago, I was in the process of locating a 2nd assist on an editorial project with Ty Allison, a shooter out of CA. I spoke with a few folks here in Seatown and found a great guy eager to help out with the project. I explained that this wasn’t the project where we’d be oiling up fantastically hot models or standing around shop-talking for an hour how a particular linen was going to fall ever-so non-intentionally across a bedspread.

This was going to be ‘work’ work, in fact humping gear to the top of a peak some 1,200 feet up the 2 mile trail. The goal was to have about 50 lbs. on each strapping lad’s back and mule it up there. Sherpa for a day.

That was the view, so it was well worth the time it took to get up there. The first one’s a gentleman I met named Gary, pilot for Alaska Airlines out enjoying the day with his lady. The second are my mates from across the Atlantic, forgotyourname one and forgotyourname deux. The physical reward was that I got a cardio workout equivalent to one-month’s time working out at the gym.

Would’ve been nice to have one of these:

. . . Or would it? . . . That was last week on a project out at the UW. Its amazing how much a magliner can do, especially when the wheels are well-inflated. This was a few weeks ago:

The unforeseen danger of artificial chocolate cakes in microwaves.

This was more than a few weeks ago:

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