This is her home back in yonder days.

So much cool stuff to shoot, it’s a photographer’s paradise.

Desi, her boyfriend, has great taste in music.

Makes me wish I still had my own Technics turntable hooked up.

My outfit still works but the amp blew sometime back. Great to see Desi’s keeping it real though.

Nothing sounds as good as vinyl in a well-lit room.

Scorpion and Cobra Tequila one procured in Vietnam probably doesn’t hurt either.

A painting of Leyla by Desi after sipping Cobra Tequila.

All the tequila, music and pups in the room have led to the plants taking their lives into their own hands . . .

. . . reaching for that beautiful window light. While here, I laid on my back and pretended to be one of Leyla’s pampered pooches.

In fact, here’s Benita aka “Benny.” The new addition to the family.

And this is Leyla reaching down to pet Koda: the friendliest, kindest dog I’ve ever known.

Here’s my friend looking over at Leyla for something, a treat maybe . . .

. . . oh, nope. It’s just to remind her of all the hair on her butt.

More always,

Mike

Seen above is Muna, a graphic design friend kind enough to sit for me as the first subject of the day. I realized pretty quickly that math was not Muna’s strong suit, and she had no problem telling me about it. Wanted to push it another layer, so I got a few more folks into the studio who do math pretty much the entire day.

This is Kasey, my favorite teller from the local bank where I do most of my financial business. They’re the nicest folks and when I ran the idea by them, they jumped at the idea of sitting for these left-of-center portraits.

Here’s Cat, manager of the bank. She was always at me about getting that business account. When I came through on that for her, I told her she owed me one. She’s a sport and delivered quite exceptionally on that promise.

And finally, Sam, the lone guy at the bank. Don’t think he’s smiling because there’s a 5:1 ratio of guys to girls. Oh no, it’s because he was the quickest calculator in the bunch.

Several interesting projects in the works, so stay tuned for new posts over the next couple weeks.

More always,

Mike

*quick note on the project: the left panel image was captured from behind the camera by way of cable release. The right panel image was captured about a half-second to second after by way of ‘capture’ button on a tethered laptop by a completely different DSLR system set up in profile to my subject. Diptychs composed from chronologically symmetrically-sequenced images from either capture system.

There was one minor hitch though: neither of my subjects were all that keen on the typical portrait. In fact, they wanted to see what I might be able to do if I ‘weren’t’ to show their faces.

I’m all about client services, so I was happy to oblige. In fact, I’m quite liking the results.

More always,

Mike

Yeah that’s me in a Masonic Grandmaster’s Hat. Don’t look too hard as my brain explodes after this. . .

Sorry I’ve been incognito as of late, but I’m back in full force. February has been a mad cover-up of jobs after taking January off to grieve for lost loved ones:

The pretty smiling ladies above are from the era of one Nellie Mae Pittman who passed in late January. She was my grandmother and the coolest girl on two feet! She used to let me watch HBO when I was four and taught me everything I know in the kitchen. . . Much love to you Nanny!

A two-week car shoot and an upcoming Adidas job has had me buried as of late, but I’m hoping to post current projects very soon. . . Amanda, don’t kill me. . .

More soon,

Mike

I can’t say it looks all that futuristic to me, but I am indeed rocking the Jetsetters/George Jetson T-shirt from Dope Couture I got a couple months back. Why? Because I’m hoping to be wearing hater blockers more and more on account of how bright I hope 2010 will prove to be.

Seen above is me accompanied by my camera case riding shotty in first class. Why you ask? Because that’s what 2010 is about. Respecting and pampering my photographic vision and style.

There have been quite a number of developments over the last couple months, so I’ll just jump right in and start going down the line.

1) I was not even in Seattle at all during mid-to-late November in through early-to-mid December. During that time I was in: Miami->Chicago->DC, then back to Seattle for Thanksgiving. Then the next week it was Boston->New York->Los Angeles, then back to Seattle at the first of December.

First week of December had me in New Brunswick, NJ and right outside of Houston, TX where I picked up this fat T-shirt from Buc-EE’s. The girl who we made our purchase from said ‘Buc-EE’s is like the best gas station I’ve ever been to. . .’ and I whole-heartedly agree random gas clerk:

That’s me above in Buc-ee’s regalia in my last week of work in December in Hartford, CT. When I got back to Seattle, it was right on the next plane out for some much needed Holiday family time with my parents, brother and grandmother in Alabama.

2) While in New York, I got word that the Brand Identity and System conjured up with Tim Lahan was written up on the esteemed Heather Morton Art Buyer Blog, and subsequently picked up by Rob Haggert (A Photo Editor) and Chase Jarvis.

Above are a few images of the system in action and how it will look when in the hands of potential clients.

3) I’m working with the amazing consultant, Amanda Sosa-Stone on my marketing plan for 2010 and a tighter edit of my portfolio. Our first phone meeting last week was amazing and already I’ve gotten some amazing insight on where I stand and where I need to go. Stay tuned for further updates.

4) Yes, I have indeed been shooting. In fact, here are a few images from the last several weeks for your bemusement:

Portrait of a Portrait of Scott Urban, Chicago. 2009.

In the Workshop of Scott Urban, Chicago. 2009.

Texas Lunch. 2009.

My Dad (in Personal Garage/Playpen/Sandbox/Laboratory). 2009.

Laura #1. 2009.

Laura #2. 2009.

Outtake (Stephen). 2009.

Karaoke Outtake (Josh Collins). 2009.

That’s about it for now mein Freunds. Keep checking back for updates and late breaking news from the Office of Michael Clinard, General Photography. Here’s to a hard rocking, fruitful and happening 2010!

More always,
Mike

. . . among other things with a local rock trio by the name of Happy Birthday Secret Weapon.

Saw the gents play at the Sunset Tavern in Ballard a few months back in support of Levi Fuller’s ‘Ball of Wax’ project and was blown away by their performance.

We got to talking about influences, and two came up: 1) Hella and 2) The F*cking Champs.

The image above had us laughing on account of it’s remarkably sublime homage to the snarky, self-mythologizing album covers the Champs were known for.

With titles such as ‘Nebula Ball Rests in a Fantasy Claw’ and ‘Thor is Like Immortal’ or ‘I am the Album Cover,’ the Champs had a pretty good sense of humor much like the gentlemen of Happy Birthday Secret Weapon.

In addition to our image above, the guys helped me with a triptych concept that I’m still working hard to complete, so that I may get it up on the blog and soon-to-launch website.

In the meantime, you should go out and give their music a listen.

More always,

Mike

That said, I was rang up by my guys to swing by the studio this past Wednesday to see the trademark plate on the press and to get an idea on how our color treatment was interpreting.

Decided to go with Pantone 426U which is about a 90% black to help support the direction I’m going toward on the website and other supporting collateral materials. When our color choice interpreted a little differently on our ‘thick-as-a-brick’ Cranes Lettra 220lb. stock, I wasn’t surprised.

In addition to the color issues, we’d developed some ghosting around the trademark, so we decided to turn the plate in an attempt to reduce this effect.

After getting that bad boy turned 90 degrees and getting it back on the presses, we inked up the rollers, and BAM! We achieved our desired result: nicely punched, boldly printed head trademarks that will serve as the foundation for the beautifully designed business card that I can’t wait to showcase.

You’ll have to stay tuned for further updates as we continue hammering things out. Some point soon, I suspect I’ll have a sneak peek of the completed business card and those other pieces of collateral. Outside of this, continue tuning in for exciting new updates regarding the website and current projects I’m tackling.

More always,

Mike

‘Hey Man, what with not posting to your blog in over a month and a half. . . I beseech you. . . Kindly, ‘Friend.”

On the serious tip, I’ve been quite busy, and that’s a very good thing. But it sure doesn’t mean that the Office of Michael Clinard, General Photography Train hasn’t left the station. In fact, it’s well on it’s way to making it’s final stop. If it were a ship: coming to port. A loaf of bread: baked. Humans: evolved. . .

So what’s new: I’ve been flexing the creative membrane. In fact just this week, I jumped into the studio with Amanda Johnson to hammer out some ideas: One concept is still being finessed, but I finally did get around to shooting that glass of water that’s been sitting around for a couple of months.

Outside of this, there’s the website which is ever-so close to completion that I can hardly wait. Of course, I still need to get a host of images sized/res’ed to spec and up on the servers. In fact, was up until 5am pulling images in anticipation, but I thought I’d give you a taste of the home page, oh loyal readership.

Here’s a look at an individual image as seen through one of the galleries, in this case: Portraiture.

There are other exciting features that will soon be live. When the site launches, I’ll be sure to make a note of it here on ye olde blog. Then, when you catch a moment, you’ll have to visit, give it a looksy and tell me what you think.

In other news, I’ve created my first new video piece in over four years. What with all the updates today–and as a thank you to my readership–I cut this together in celebration of the Brand Identity and to mark what feels like coming out of a near four year hibernation.

Interesting’er from Michael Clinard on Vimeo.

I could tell you what’s going on here, but it’d ruin the ambiguity.

Feeling very cicada-like,
Mike

*that ‘friend,’ I’m speaking of is one, Lucien Knuteson. You’ll have to go and check out his new blog when you’ve had all you can handle here.

I got an email a couple hours back saying that the editorial team selected my project from the several hundred that folks post everyday. Pretty neat being that a couple days ago I decided to pull some images together that I’ve shot over the last year or so in anticipation for the new site that’s being developed. Figured I’d give folks a preview of some of the visuals to expect, and here it goes getting some neat attention!

I suspect that project will drop from the front pages after a week or so, but in the meantime, feel free to visit the gallery and let me know what you think. Hope you enjoy looking at them as I had a great time creating them. Big shout of thanks to all the nice folks that sat for me!

More soon,

Mike

It’s been a busy month for me: the website look is finally being hashed out and collateral material printing for the Office of Michael Clinard, General Photography is gearing up.

Outside of the recent happenings, I found some time to steal away and edit through the 1600 or so photos from the recent trip to Ecuador. I’ve gone ahead and put them up on Picasa here.

When you arrive, I encourage you to click the slideshow option to see them larger; from there, you can pause it to click through at your own pace or turn off the captions if you’d prefer.

Above is an image shot inside the monument La Virgin del Panecillo which overlooks Quito–Ecuador’s capital. It’s a large monument of the Virgin Mary constructed of large steel plates, each one welded and screwed together as seen above.

When I finally stopped to appreciate it’s inner construction, I found myself standing in front of plate 79. Specifically important to me given that it was the year of my birth: 1979.

More soon,

Mike