That said, I was rang up by my guys to swing by the studio this past Wednesday to see the trademark plate on the press and to get an idea on how our color treatment was interpreting.

Decided to go with Pantone 426U which is about a 90% black to help support the direction I’m going toward on the website and other supporting collateral materials. When our color choice interpreted a little differently on our ‘thick-as-a-brick’ Cranes Lettra 220lb. stock, I wasn’t surprised.

In addition to the color issues, we’d developed some ghosting around the trademark, so we decided to turn the plate in an attempt to reduce this effect.

After getting that bad boy turned 90 degrees and getting it back on the presses, we inked up the rollers, and BAM! We achieved our desired result: nicely punched, boldly printed head trademarks that will serve as the foundation for the beautifully designed business card that I can’t wait to showcase.

You’ll have to stay tuned for further updates as we continue hammering things out. Some point soon, I suspect I’ll have a sneak peek of the completed business card and those other pieces of collateral. Outside of this, continue tuning in for exciting new updates regarding the website and current projects I’m tackling.

More always,

Mike

‘Hey Man, what with not posting to your blog in over a month and a half. . . I beseech you. . . Kindly, ‘Friend.”

On the serious tip, I’ve been quite busy, and that’s a very good thing. But it sure doesn’t mean that the Office of Michael Clinard, General Photography Train hasn’t left the station. In fact, it’s well on it’s way to making it’s final stop. If it were a ship: coming to port. A loaf of bread: baked. Humans: evolved. . .

So what’s new: I’ve been flexing the creative membrane. In fact just this week, I jumped into the studio with Amanda Johnson to hammer out some ideas: One concept is still being finessed, but I finally did get around to shooting that glass of water that’s been sitting around for a couple of months.

Outside of this, there’s the website which is ever-so close to completion that I can hardly wait. Of course, I still need to get a host of images sized/res’ed to spec and up on the servers. In fact, was up until 5am pulling images in anticipation, but I thought I’d give you a taste of the home page, oh loyal readership.

Here’s a look at an individual image as seen through one of the galleries, in this case: Portraiture.

There are other exciting features that will soon be live. When the site launches, I’ll be sure to make a note of it here on ye olde blog. Then, when you catch a moment, you’ll have to visit, give it a looksy and tell me what you think.

In other news, I’ve created my first new video piece in over four years. What with all the updates today–and as a thank you to my readership–I cut this together in celebration of the Brand Identity and to mark what feels like coming out of a near four year hibernation.

Interesting’er from Michael Clinard on Vimeo.

I could tell you what’s going on here, but it’d ruin the ambiguity.

Feeling very cicada-like,
Mike

*that ‘friend,’ I’m speaking of is one, Lucien Knuteson. You’ll have to go and check out his new blog when you’ve had all you can handle here.

I got an email a couple hours back saying that the editorial team selected my project from the several hundred that folks post everyday. Pretty neat being that a couple days ago I decided to pull some images together that I’ve shot over the last year or so in anticipation for the new site that’s being developed. Figured I’d give folks a preview of some of the visuals to expect, and here it goes getting some neat attention!

I suspect that project will drop from the front pages after a week or so, but in the meantime, feel free to visit the gallery and let me know what you think. Hope you enjoy looking at them as I had a great time creating them. Big shout of thanks to all the nice folks that sat for me!

More soon,

Mike

Above and below are a couple of the many notes I wrote to myself as reminders on the days leading up to our Exodus from the Emerald City.

The more I think about the ‘Dor, I always find myself humming Palace Brothers’ ‘West Palm Beach’ track. Oh, sigh. . .

Anyhow, while looking through the images from the sojourn, I remembered I’d shot this interesting chap named Dan who goes under the moniker of MC Virus here in Seattle.

A super nice guy, his beats are unlike anything I’ve heard before. He played me a few tracks from an upcoming album he’s releasing on the label called Rarefied Heir. Go check him out!

In other news, I had a few of the upcoming promo pieces accepted onto Heather Morton’s Art Buyer Blog. Check it out here (scroll down to #4).

More always,

Mike

Jenna, aka ‘The Boss’ (pictured above), made it happen. She engineered a low-cost, very effective way of making prints from a short list of supplies found at any Value Village, Goodwill or retail store. The list goes a little something like this:

1) Obtain a few frames from said store. These can be picture frames or those wooden frames that pre-stretched canvas comes on. You know, the canvases that you used to paint your high school masterpieces on. . . exactly, the ones that now reside at above-noted Goodwill store.

2) Find some very sheer curtain tulle that someone has discarded. Probably on the back wall, wedged between the quilts with the stains on them and the Saved by the Bell sweatshirts.

3) Rolls of Contact Paper. It’s probably the case the ones you find at Value Village are still tacky enough to affix to your tulle, but if concerned, feel free to go out and pick up a new roll.

Basically, you staple your tulle very taut to your frame as if making a drum. Affix your contact paper with design cut out and you’re good to go. I found a couple nice tutorials on the process here and here that pretty much break things down.

Above is my contribution. It’s the new brand identity I’ve been bringing into existence with the aid of a fantastic designer in NYC named Tim Lahan. I’m super excited to start the process of spreading the word and getting it out on market.

That said, keep your eyes peeled for exciting new updates from the Office of Michael Clinard: General Photography.

Always,

Mike